Tuesday, July 29, 2008

Where Can You Watch Joe Damato

Lunn-a a Boccadaze

E 'was fun to make two notes before Boccadasse many people. The opportunity for me to feel "at home" in my songs zeneize. The Friday evening was excellent, the piece came well, Adriano was happy. To our surprise, we have been chosen for the final on Saturday.
The performance on Saturday was unfortunately marred by very serious "technical problems" (or "patches" of sensational but sympathetic monitor engineer). We met in mid-piece without being able to use the harmonizer and loopstation ... and then having to invent an arrangement there and then.
Too bad, because TV has taken over the agony, (I dare not look up tonight Telegenova :-().

However at the weekend we recorded several tracks that will be part of the disc LOOP DUO.
We are pleased with the filming, the sound of classical and sound is great, you can work on starting from a more than satisfactory.
Thanks to Marco Biggi at mixer.

soon with the novelty of the case .... meanwhile
concert Bogliasco August 16 (evening).

EMILIANO

Wednesday, July 23, 2008

Indian Village Boobs Fat

Dean Deacon - The Crystal Cat


About the physicality of live performance ... my idol of the day.

Sunday, July 13, 2008

U Haul For Queen Size

Massimo Volume - Live Traffic Festival Torino 07/12/2008


I have a very special kind of devotion to the maximum volume. I discovered them when they were already loose and I have adored from the first minute, a group capable of going beyond music and words, to create a marriage between public and special group.


After six years back, Massimo Volume Traffic to play live in Turin.

A bombshell that makes me say: I do five-hour drive with a smile, if I find anyone who is with me I go alone. In Turin, we are necessarily, I can not be there.


begin at 20.00 and attack with "final Act" (one of the pieces that I love most). The emotion is great, see Mimi with the low shoulder (and bottom ...) as I had never seen (I had after some reading ... but a tool in hand is another thing) is really a show. The four are compact, but it takes a while 'before the sound settles.

normal.

They're excited, you see ... Egle not hardly ever raises his head from his six strings and remains aloof to grind, as well as Victoria behind the skins.

sussegguono pieces that are the best: "The first god," "The night of 11 October " "fatuous Fire" (I have chills and tears in his eyes, ready to scan ATTACK ON THE SKIN AND MY SKIN LIKE THE NAMES OF WOMEN ... ARMS AND THE SENTENCE THAT YOU HAVE YOU EVER OWNED ... MISSING THE PICTURE OF CONTACT BETWEEN THE HORNS AND HANDS ...).


The only piece from "Rooms" is "Ronald , Tomas and I " big impact and everyone on fire ... Often the people applaud moved to open scene, almost hanging from the lips of Mimi who thanked several times, raised his hands, sometimes inciting the crowd with the movements of his bass.

When they begin the first notes of "The Dead City " there is a long applause and the smiles on the faces of Massimo Volume become relaxed.

A follow " Seychelles '81 " he slams in his face one of their flagship products: relentless, noisy, disturbing. The other piece from "private club" is " After " and is certainly the least significant part of the whole concert. Not bad.


Mimi leaves her for a moment to lower his landing on the calm and unsettling sound of "Something life" (pure poetry and great work of the two guitars). The concert ends with " Manhattan at night and the cry of Clementi's life that greets the microphone saying," It 'was amazing .. "

Failing to answer only two pieces that I wanted to hear: "Manchuria: the last John Ford" and "Warning." For the rest, all the best bits were given as food to the public.


For the record to follow would be playing the Afterhours and Patti Smith, but a real downpour makes me escape from the Traffic with few regrets.


What comes to mind at the end of the concert, and covered the pictures locked in my golf while the flood strikes Turin, is now should not give up.

Of Maximum Volume at this time is more necessary than ever.

of an album and a tour.


Saturday, July 12, 2008

Doujinshi Pokemon Jessie

Late Of The Pier - Heartbeat

Wednesday, July 9, 2008

Blank Iron On Transfer Paper For Embroidery

Updates

Yes, I do not update the blog ever ... but how?
Eh myspace, and the site, I'm not an expert in communication.

However, on July 13 to play with Adriano Bogliasco. On 25
part in a survey conducted Boccadasse (Lunn-a Boccadasse).
Between 25 and July 27 Adriano, and I record a disc Zena
LOOPDUO.
Other things brewing but will be better to talk about it in due course. Do not hope more good summer at all in the hope to update the blog again soon, but as I already know that those who want to follow me on www.myspace.com / emilianodeferrarimusic.
ALOA! EMI

Sunday, July 6, 2008

Ship And Names Of Parts

Xabier Iriondo & Gianni Mimmo - "Your very eyes" LIVE Malegno (BS)


I was undecided whether to offer the reportage of Rage Against The Machine concert in Modena. In the end it was a prevedibilissimo RATM concert ... nothing to compare with another event so unusual as proposed by the exciting duo Gianni Mimmo and Xabier Iriondo (yes ... I was there for him, followed by ten years in all its musical forays and I could not make me miss an update on his fitness).


The place of performance is the Museum of Fudine Malegno (BS) and the frame is the "Clusone Jazz Festival. The two certainly have a different musical background (Xabier within the indie-rock stakes in unexplored areas of the avant-garde and experimental, Gianni Mimmo to guess for classical and jazz) and are the first equipped with homemade instruments of nature electro-acoustic and electronic artifacts of mysterious origin (I could not be more precise, I swear) and the second for a soprano sax and a giant contrabass saxophone (I peeked on the internet, my ignorance on how to identify them the first and second clarinet ... boh? never seen guys I swear!).


The room is full and the silence is absolute. By that have already started a few minutes and c'impiego a bit 'first to relate in a non-confrontational with the sounds produced. The musicians you hear them breathe, breathe, rub the soles of the plastic coating on a small stage set up and all, magically, after half an hour of careful listening, began to take shape. The soprano sax jazz draws arabesques unabashed flirting in a seemingly distant with sound - to me the most familiar and understandable - produced by former "A Short Apnea" Iriondo, and as they continue with the concert, I find it progressively more and more interaction between the duo and the environment around them.


In a sense they borrow gradually become more and more loose and more likely to listen to him and all the concert halls of intensity. I am not surprised at all then the words of Mimmo that set forth the requirement of the duo to interact with the environment around them, with the stone (above) but also with the iron, the cavities, the protuberances of natural and non-mixing (term quite inappropriate in the case specific) natural sounds and sounds produced by machines.


The idea is a great freedom of expression, the need to explore uncharted territories completely, cut the conventions and stereotypes by live music and interact worlds apart, they really need to talk to be revealed closer than it appears at first sight.

If I were to own a piece of advice I would say that it might be the case maggiormante to balance the sound system (a little 'unbalanced in favor of wind nell'udibilità) amplifying perhaps with greater force on the work done by Xabier.

For the rest, pure magic ... great ...